When yuppie Korean-American lawyer Peter brings beauteous bride Sookhy home to suburban New Jersey, she seems withdrawn, English-challenged and easily bullied by her mother-in-law. But fate abruptly takes Peter out of the picture, leaving a curiously unperturbed Sookhy (who's descended from a line of female shamans) free to force her company on the glamorous Caucasian couple next door.
Fetish unfolds at London’s Freud Museum, depicting the yearly nighttime cleaning of the psychoanalyst’s personal collection of archeological statues and artifacts. Exposing the unseen procedural activities of the museum, the material and exquisitely mundane qualities of these objects are disclosed. The leading protagonists–analyst, patient (and tourist visitor)—are present only in the objects’ endless accumulation of dust and its painstaking, methodical removal. The artist’s rendering of the ritual cleaning allows for a reverse gaze at Freud’s personal collection and furniture—alternately tender, projective and voyeuristic, as the conservator’s brush sweeps the delicate surfaces of each object, or pulls back fabric upon fabric to reveal a couch’s hidden structure. Through subtle parallels, these objects, processes, and the intimate empathy their simultaneous systems each suggest, are both mirrored and revealed.
Pin-up vixens vs. bloodthirsty zombies, set in post-apocalyptic Hollywood.
It's Morphin' time! There's a tumor in the collective unconscious, and it's up to 6 young people to draw on its power to become the Struggled Reagans! Armed with Metaphysical super powers, a giant robot, and perverse sexual fetishes, they can defeat an ancient Hindu god and his googley eyed monster...Right?
A courageous homicide detective falls into a treacherous web of depravity after plunging herself into the world of sexual fetish videos in pursuit of an elusive serial killer. A madman has been slicing up bridesmaids all over the city, and Detective Greer English (Laura Romeo) is determined to see that justice is served. As the wave of terror continues, Detective English focuses her investigation on Billy Tagg (Michael McGovern) - a fetish photographer who specializes in the extreme. But Billy isn't who he appears to be, and by the time Detective English discovers he's been taken over by an ancient entity known as "The Tickle Monster," she may already be laughing her way to an early grave.
The story revolves around an iconic actress on the skids, making a play for a comeback with a late night talk show host.
At the back of every obsessive skier’s mind lies the ski fetish. Fetish is a 16mm exploration of the Alps, the Chugach Range of Alaska and the deep snow of Island Lake Lodge in Fernie BC. Fetish also includes segments on motocross and kayaking. Satisfy your obsession and watch this tape.
From Welcome's weird world, we're proud to offer Welcome's first full-length video. Starring Welcome's stacked team, Welcome Fetish features mind-blowing parts from your favorite Welcomes.
When the son of an alleged killer inherits a "blue movie" that may be the key to solving a 50 year old murder, he finds himself drawn into a forbidden world of sexual obsession. But the closer he gets to the heart of the mystery, the more the past threatens to reach out into the present and reveal terrifying truths that lead him to the brink of madness.
Four beautiful women attend a fetish convention hoping to make some easy money, but find themselves thrown into a dark, underground world of obsession and murder when a deformed, sadistic serial killer (Bill Oberst Jr.) sets his sights on the quartet. Now, their friendship and personal limits will be torn apart as they struggle to survive the most brutal weekend of their lives.
This film is a pure fascination with a filmic quality of the image captured on 16mm expired stock, hand-developed while neglecting rules of color processing and manipulated on a JK optical printer. Shot in 2008 it presents a transformed picture of Rotterdam's windmills reminiscent of Dutch Golden Age paintings and traditional Delft tiles.
It's garter belts, stockings, bustiers, and corsets aplenty in this bra-busting collection of women in lingerie from the era of lunch-hour cocktails, the Space Race, and Ovaltine. You'll be amazed at just how many different ways a woman can affix her stockings or unhook her bra once you've finished watching every glamorous gal here stripped (almost, but not quite) bare. The models featured look like they were certainly enjoying themselves...and no doubt their audience was, too.
Easy, sleazy, and dirty. That's what the short movies you could see in a peep machine were. For the cost of a few coins, a variety of beautiful babes undressed before your eyes. They weren't always glamorous, but they were always stacked. And if you were lucky, maybe they had a little fun with themselves. In the 1950s and 60s these little films were commonplace, but now they're part of a bygone era. This collection brings together over an hour of those short subjects, and take you back to the days when ecstasy could be had for twenty-five cents. You'll see bombshells wearing lingerie you definitely won't find at your local department store, topless campfire girls getting in touch with nature (and themselves)...and a few young ladies that can shake their hips like nobody's business. One thing's for sure, the gals who made these films had fun...and you will, too.
A three-channel video installation and a split-screen video installation in response to an 1850 daguerrotype of a young American-born enslaved woman named Delia, who was photographed stripped bare as visual evidence in support of an ethnographic study by the Swiss-born naturalist professor Louis Agassiz, who held that racial characteristics are a result of differing human origins.
Henry Harding MP, a British government minister on a moral crusade, hires an inexperienced young computer whizzkid, Peter Emery who works for a Christian computer company called Holy Hardware, to infiltrate the United Kingdom BDSM scene.
The film attempts to negotiate with the duality that is associated with the ceremonial veneration of the Mother Goddess Kali. It ruminates on the nuanced transsexuality that is prevalent in the ceremonial performance of male devotees cross dressing as Kali. This is interwoven with grotesque elements of a sacrificial ceremony, which forms a vital part of the worship of the Goddess.